"If
only there was someone we knew who could help us.
Someone who really knows about trains!"
The weather is turning rather blustery in Greendale
and Postman Pat is
having trouble holding on to his mail, and Jess
the cat, as he makes his
delivery to the local school. Inside, Jeff Pringle
is teaching the kids all about
the old Greendale Light Railway which used to run all
the way from Pincaster
to Greendale, though it's long-since been abandoned.
But the lesson is merely the lead in to a fascinating
Field Trip, and whilst the
class explores the old station buildings they
unearth a mechanical marvel, in the
shape of the Greendale Rocket - a train left behind
when the line was closed.
After a hastily convened village meeting, it's
agreed that the current Greendale
community will put their efforts into refurbishing
the station and its chuffing
engine, and getting the railway working once more.
Oh, but in spite of
Ted and Pat's best efforts that darned train simply
won't work!
Just as well, then, that Pat's son Julian has
been communicating with a
penpal - Meera - in Pincaster. Because, as coincidence
would have it,
Meera's father Ajay Bains is a train enthusiast.
At Julian's request,
Ajay makes a surprise visit to Greendale to get
his hands dirty.
Only, that darned train is still playing up. And
the Grand Opening is now
only a day away. And there's a rotten storm brewing.
And Pat's mail is stuck
in Pincaster. And Jess has gone missing too!
Needless to say, in spite of fallen trees, floods
and a very temperamental
steam train, Pat and the gang pull through. The
mail is safely collected
and delivered, Jess returns safe and sound, The
Greendale Rocket chuffs
again, and the villagers welcome a new family
in to the fold, because
Ajay, his wife Nisha, Meera, and baby brother
Nikhil have come to stay
and look after the newly opened railway line...

"Postman Pat and the Greendale Rocket"
serves as the extended introduction
to Pat's all-new and shiny tv series, which returned
to our screens after
several years' hiatus. Cosgrove Hall picked up where
Woodland Animations
left off, and in their hands Greendale has become
bigger, and busier.
Most notably, Pat and company now have mouths
that move when
they talk - negating the need for a narrator.
Keep watching closely and you'll spy some lovely details
details in the
effects and in the minutiae of the set dressing.
There are lots of swirling
leaves about town. Pat has an evening conversation
in which his toast
slides everywhichway around his plate. Pat's fireplace
has miniature
Charles Renny McIntosh tiling, and Mrs Goggins' Post
Office is stocked
with individually designed products, like tins
of "Catto" cat food
"for the cat". During the climactic
storm, CGI rain angles down, lightning
zigzags across the sky and the River Pen swells
to bursting point.
It's great stuff, is this.
If you're really nitpicking, you might find fault with
the opening presentation.
Bob the Builder went
to town with his special films, eschewing regular
credits in favour of a movie-themed opening. Poor Pat
is not so well
served, though, and has to rely on his regular titles, which
means
some of the "specialness" is missing. Oh,
okay, so the film also relies
on a little too much coincidence to pull through
to its climax. But really,
when Greendale looks this good who cares?

Fixing up that engine
How long does it take to repair the Rocket and
its railway line?
Although no one mentions a specific month, we
can at least tot
up the days with the help of Mrs Goggins numerical
wall calendar.
We return to it several times in the film.
Work starts on the 11th and continues throughout
the "Back on
Track" song montage, to the 22nd of the month.
Come the day of the
Grand Opening, we've reached the 26th - but the
storm, floods,
and undelivered post push things forward another
day, to what
would be the 27th. Which means, rain delays included,
the whole
process takes a mere 17 days - Tell that to Network
Rail!
"I know I can fix that train,
I just know it!"
-
Ted enthuses
Singalong-a-Simon
What's Pat without his singalong song? Everyone
knows Brian Daly's
famous theme. For the new series, though,
we must doff our caps
to Simon
Woodgate who has furnished the postie with a new end credits
song, and a smattering of tapping tunes
in various episodes and specials.
"Postman Pat and the Greendale Rocket"
includes the song
"Back on Track" and a wee
sliver of "We Don't Need an Open Road".
Both are rather hummable ditties...
"So
we're fixing, we're fixing up that engine,
And the station will open up its doors,
The Greendale Rocket's gonna ride again,
We'll be back on track once more!..."
-
Back on Track by Simon Woodgate
Greendale
Glitches
» During
the storm, Pat leaves the Post Office and attempts to drive
out of Greendale. As he drives
by, you'll notice his passenger window
has been blurred out, and Jess
is just about discernible through
the glass - But that's impossible,
because Jess is in Pincaster
at this particular time!
» Speaking
of time, on that same stormy morning,
Pat leaves the
Post Office at 7.00. He then
tries "every road out of Greendale"
to no avail. But when he gets
back to the Post Office it's still
7.00 o'clock!
Alright, so you might
argue that the clock had simply stopped.
But when he finally returns
from Picaster with Ajay and Ted that
same clock has moved to
10.00. Did Mrs Goggins replace the
battery when Pat was gone?
» And
if that's pedantic, try this one: Meera, Ajay, Nisha, and Nikhil
all feature in the generic
opening credits. But they haven't yet appeared
in Greendale, and neither has
the Greendale Rocket!
Broadcast
info
"Postman Pat and the Greendale Rocket"
actually made its home
video premiere prior to any tv broadcast. In the
UK, the film launched
on DVD/VHS as a double-bill with "Postman
Pat's Magic Christmas",
on 10th November 2003.
The film subsequently premiered on BBC2, ten months
later,
on September 6th 2004 as a precursor to the regular
series...
based
on the original series written by John Cunliffe
based upon the original television series
designed and produced by Ivor Wood |
|
exec
prods:
director:
producer:
title music:
music:
writer:
art dir:
storyboards:
script editor: animators:
puppets:
puppet maint:
sets:
set illus:
set dressing:
props:
senior costume
maker:
costume makers:
studio dir:
lighting cam:
asst cam:
cam assts:
asst prod:
voice rec:
vid post-prod:
audio post-prod:
computer graphics:
data management:
tech support:
prod man:
prod asst:
prod acct:
stills co-ord:
prod co-ord:
voices: |
Theresa
Plummer-Andrews (for the BBC)
Jane Smith, Oliver Ellis (for Ent. Rights)
Chris Taylor
Chris Bowden
Brian Daly
Simon Woodgate at Echobass Studios
John Cunliffe
with additional material by Elly Brewer
Bridget Appleby
Justin Exley
Annika Bluhm
Tim Collings, Brian Demoskoff, Lucy Gell,
Lisa Goddard, Lisa-Jane Gray, Monica McCartney,
Matt Palmer, Bob Scott, Chris Tootell
Mackinnon & Saunders
Noel Baker, Colin Batty, Anne Hall,
Joe Holman, Clare Jones, Caroline Wallace,
Robbie Manning, Nick Roberson, Emma Trimble,
Kristine Keogh, Georgina Haynes, Richard Pickersgill,
Michelle Scattergood, Stuart Sutcliffe
Patricia Brennan
The As & When Men
Jeff Spain, Rick Kent, Richard Sykes,
Alan Henry, Robin Jackson
Mark Stacey
Dom Lee
John Ashton, Diane Holness, Angela Kiely
Clare Elliott
Nigel Cornford, Joan Jones, Andrea Lord,
Stewart Selkirk
Sue Pugh
Martin Kelly
Justin Noe
Jo Richards, Simon Lacey
Owen Ballhatchet
The Sound House, Hullabaloo studios
Flix Facilities
Hullabaloo Studios
Jonathan Turner
Pete Kidd
Phil Atack, Matthew Horsefield
Karen Dudley
Lucy Atkinson
Sarah Ulyatt
Gwyn Roberts
Victoria Marks (for
Ent. Rights)
Ken Barrie
Carol Boyd
Kulvinder Ghir
Janet James
Archie Panjabi
Melissa Sinden |
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