"This
is Berrydown Farm. Quite a lot of people live here...
Old people sitting, young people
busy playing,and
middling people
like me who work. Then there are
ducks. They don't seem to do
anything much except walk about
and quack. And of course,
Minnie the Cat. Minnie is a
lady. Hello Minnie. And Gay the
Goat, if she'll stand still for a
minute. And of course, the
Pingwings... If we can find
the Pingwings..."
-
intro to The Happy Event
The Pingwings of Berrydown Farm were a family
of small knitted penguin-like
creatures, standing no more than 6 or 7
inches tall. There was Mr Pingwing,
Mrs Pingwing and Penny who both wore aprons,
Paul who liked to wear a
hat and new-born Baby Pingwing. The Pingwings
films were SmallFilms' first
model series. Although the Pingwing family were
'animated' for the series, the
world they lived in, their home in in the barn,
the farm and its populance were
very real. The Pingwings were moved frame-by-labour-intensive-frame against
this real-time world. They had many small adventures
on the farm with the
things they had found or built. These adventures
brought them in to contact
with the various farm animals, and close contact
with the humans, and it's
this contact and interaction with the world that
makes this series work
so uncannily well. If you didn't know better
you'd swear the Pingwings
actually existed!
In the first episode, titled The
Happy Event, we learn that Mrs Pingwing
has laid an egg from which hatches a baby
Pingwing. Penny Pingwing breaks
the news of the 'egg laying' to her father
Mr Pingwing whom we find is actually
pegged up to dry on the washing line. This image
stems from Oliver Postgate's
very first true-life encounter with a Pingwing.
How so? Well, during a visit to
Peter and Joan Firmin's farm in 1960 Oliver happened upon
a small knitted
penguin pegged out to dry by its woolly beak. Gloria,
Peter Firmin's sister,
had knitted it for young Josie Firmin. Oliver
was reminded of a type of French
wool called Pingouin, and a series idea
was hatched...
The
series was actually filmed on and around the Firmin's farm, and
was
the first stop-motion series produced by
the SmallFilms partnership (their
previous ventures having featured manipulated
cut-out artwork). Filiming in
this "real" environment caused all
sorts of problems, and in his autobiography
"Seeing Things"
(Panmacmillan),
Oliver Postgate talks about his encounter
with one particular hairy caterpillar, moving
through frame, and the way in
which his own movement between set-ups initially
caused swathes of
grass and foliage to magically flatten as the
rushes unspooled...