
00.34
- Did you know, the film was originally going to be called "Trouble
'at Mill"?
Well,
it was, but this popular northern quotation was considered too
colloquial for the rest of the
world. So instead, we got this twist on
Michael
Powell's inspired and inspiring war-time movie, "A Matter of
Life and Death" (1946)...
And Baker
Bob, who meets his demise in the film's opening, is obviously
an
homage to the film's co-writer Bob Baker. Bob also gets a nod in
"A
Close Shave" and "Curse of the Were-Rabbit"...
00.41
- Gromit is reading "The
Daily Grind" (Flour = Grind = Geddit?). This
newspaper
features Nick Park's beloved Preston North End football club
in
the headline "Wigan
to meet Preston in Cup tie". Preston feature
regularly in the Wallace and Gromit films and shorts (eg: Preston
the
cyberdog).
A smaller heading identifies "Canaries
chasing Wolves"
which
are references to Norwich football club (known as "The Canaries")
and
Wolverhampton Wanderers ("Wolves")...
There's
also the little matter of a Cereal
Killer striking again.
Cereal
Killer = Serial Killer = Geddit?
00.52
- You've gotta love that foreshadowing. Wallace's bed sports
a Bake O
Lite
duvet cover and pillowcase, and there's a fading Bake O Lite poster
on
his bedroom wall!...
The
Bake O Lite Bakery is a spoof on that famous olde time material
Bakelite,
used to fashion radios and othersuch household objects, back
in
the day. It was billed as "The material of a thousand uses!"
01.02
- Oh, good grief. There's a bottle of Furry
Liquid by the sink. That's
a
play on Fairy Liquid,
a top-selling brand of washing-up liquid, here
in
the UK...
01.08
- Wallace and Gromit's Top Bun bakery service is a spoof
on the title
of Tony Scott's plane-crazy movie "Top Gun" (1986)...
01.39
- We've seen that chute before, in "A Close Shave"
and "Curse of the
Were-Rabbit".
Once again we're spoofing the big opening to that
classic
Gerry Anderson puppet series Thunderbirds,
but the doughy
twists here keep it fresh and funny!...
01.49
- Hit your pause button as Gromit loads the company van
and you'll
see the duo's old Wash 'n' Go motorbike and sidecar from A
Close Shave,
partly-obscured by a tarpaulin in the background...
Oh, and does it need saying,
that Austin delivery van is actually the
duo's
old Anti-Pesto van from Curse of the
Were-Rabbit...
01.53
- Right. Let's look at that van door. You'll spy the "Flour
to the
People!"
sticker (1)
on the right-hand side of the window. As is the door
handle
(2).
But notice how the van's metal ident is back-to-front! (3)
02.01
-
That fuel pump can serve up Disel, Four Star, Unleaded, Tea, Coffee,
or
Milk!...
02.02
-
And the van's number plate reads D0H NUT5 = Donuts...
02.15
-
They''ve still got the MUTT radio in the van from "Curse of the
Were-Rabbit"....
02.27
-
Blowing your thumb to make your hat inflate is an old Variety trick,
perpetuated
by the likes of Eric Morecambe and Ernie Wise, and
once
more Nick Park and co. are reminding us of their many
TV
and comic influences. Their love of "The Beano" and "The
Dandy",
Gerry Anderson's Supermarionation series and Variety
television really does shine through every frame...
02.44
-
Pat O-Cakes'
bakery is a play on the traditional nursery rhyme,
"Pat-a-cake,
pata-a-cake, Baker's man..."
02.46
- And Tank-Top
Man is a spoof on that most fashionable of High Street
fashion
chains, Top Man...
Oh, but wait. Here's a continuity error! - The
van's "Flour to the people!"
sticker
has somehow moved to the left of the rear door. The Austin ident
is
the right way round, and the door handle is now on the left!
03.56
- Hit that pause button for two great japes. On the left of
the screen,
it
looks like someone's escaped from the zoo using a length of knotted
sheets. And over on the right, there's a "Missing" poster on
the wall
featuring that pilfering penguin Feathers McGraw, the thieving star
of
"The Wrong Trousers"....
06.55
- For
Cheesy Jet read
Easy Jet, the
UK's famous budget airline.
Plus,
the whole gondolier love scene itself is - well - it's rather
cheesy too!
07.12
- Oh,
good grief, here's a spoof on the classic love scene from the film
"Ghost"
(1990), using dough instead of clay. Look at how Wallace
can't
actually reach the dough around Piella's ample frame!
07.22
- Gromit
has a "Citizen Canine" poster on his bedroom wall. That's a
spoof of "Citizen Kane" (1941), of course....
07.42
-
Gromit also
appears to have a softspot for the small films of Oliver
Postgate. That's because there's a Bagpuss
soft toy amongst his
binned
belongings (7m41s). And seeing as we're being so precise,
you'll
also spy a copy of "The Beagle" comic - spoofing that classic
comic
weekly "The Eagle", and a volume of "Pup Fiction"!
07.52
-
Piella owns
several pairs of Pooch
shoes. Pooch = Puccini = Geddit?
08.09
- Wallace is being treated to a big plate of sausage and mash,
with
the
sausages poking out. It's a slap-up image that's straight out of
"The
Beano", and once again, we get a fun reminder of Nick Park's
comic
strip influences...
08.53
-
When Piella's pooch, Fluffles, hands Gromit's belongings back to him,
we
see his musical tastes include "Puppy Love" by Doggy Osmond
(Donny
Osmond), and an album by McFlea (McFly)...
09.35
- Dough! - Piella lives at 12a Pastry Rise...
10.00
- And it's Hitchcock all the way, as Gromit enters. There
are so many
classic
suspense film spoofs here, in the camera angles and the
unspooling
events... the lightning... the creaking stairs... the refracted
reflections in those dressing table mirrors... Brilliant!
12.29
- We've seen a Meatabix
box before, in "The Wrong Trousers"...
14.22
- Gromit builds his security scanner with the aid of a book titled
"Electronic Surveillence For Dogs". It's written by B A
Lert...
14.47
- Piella's silhouetted behind the stained glass, like the Grim
Reaper!
15.34
- Gromit's identified all those knives and sharp implements as
being
WMD,
and the skull and crossbones logo has been suitably
Wallace-fied!
15.54
- Oh! - Wait up!
- Hold the presses! - Here's
another, bigger, continuity
error.
Eagle-eyed viewers will see that Gromit has no tail! - That's right,
he's
tail-less, tail-free,
sans wagging device... Well, you get the drift...
Poor Gromit!
18.10
- Ha! - Piella's
decoupage petals are "weeping" with Wallace!
19.30
- Pause here,
and look at the tree outside Piella's house. Someone's
etched
a heart upon it, and an F and a G = Fluffles Loves Gromit!
20.58
- Wallace is lighting
that candle with a box of Duck Matches.
That's
a spoof on the best-selling brand of Swan Matches...
22.53
- That Yorkshire
Border sign is once again playing up the rivalry
between
the various regions "oop north" in the UK. Walllace
and
Gromit reside next door, in Lancashire...
23.19
- As that bomb-fueled climax plays out, Fluffles is revealed within
that
adapted forklift, just like Sigourney Weaver in the climax
of
James Cameron's "Aliens" (1986)...
26.04
- As Piella's balloon glides down into the zoo, we can see that
the
Crocodile pen is now sponsored by Superb
Snaps - * groan *
27.10
- And this is nice background detail. On the living room wall is
a
framed
photograph of Gromit's
First Birthday. It's the same photo
that
features at the beginning of "Curse of the Were-Rabbit"...
27.31
- Goody. Just to reassure us that all's well - or not - here's
that rear van
door
again and you'll notice, the sticker is back to its original placement,
on the right-hand side of the window. Likewise, the Austin ident
is
about-face, and the door handle has also returned to the right-hand
side!
27.57
- And finally, as Fluffles riffles through the LPs held in the
van, we
can
see a long player for Poochini (Puccini), McFlea again (McFly),
The
Beagles (The Beatles), The Hound of Music (The Sound of
Music),
and Gromit's Doggy Osmond (Donny Osmond) record!...
So that was the film, frame-by-frame. And it's
pretty clear, Piella gets some
kind of chomping in that crocodile pen. We hear
all sorts of gnasty gnashing
and Wallace sees her younger Bake O Lite spirit
rising to the heavens, on the
remnants of her balloon. Buuuuut we don't actually
see anyone being eaten,
so Wallace may only be imagining the demise of his
True Love... Dearest
Piella, carried away into the sunset...
So we're none the wiser. But we are certainly
better informed about yet another
detail-stuffed Aardman classic.
Till next time!


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